Not a pretty picture: Otto Dix's Skull, 1924.
Dix and Beckmann: Two Painters Convey The Horror of War
By Hilton Kramer
Given the horrific history of Germany in the modern era, it was not to be expected that German art from the period would have much to do with scenarios of sweetness and light. A culture of violence and intolerance was bound to produce an art dominated by violent emotions and a sense of dislocation and loss. Exactly how individual talents respond to such extreme situations depends, however, not only on their artistic gifts but on the moral compass that each brings to such a daunting challenge.
It’s one of the many virtues of War/Hell: Master Prints by Otto Dix and Max Beckmann, the new exhibition at the Neue Galerie, that it gives us such vivid accounts of the way two tough-minded artists confronted this challenge without in any way minimizing its gravity or otherwise avoiding its tragic implications. Both artists had the misfortune of having had firsthand experience of trench warfare in the First World War—Beckmann as a medical orderly who suffered a nervous breakdown, Dix as a foot soldier in the trenches whose vision of life remained permanently defined (and permanently impaired) by his encounter with battlefield carnage..........
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